Battle of the Majestic Beings, 2024, detail, Wil Aballe Art Projects, Vancouver, Canada. Photo courtesy of the artist.
A bracelet for the Creator, 2024, detail, Emily Carr University, caribou hair, hide, sinew, dye, and beads, 250cm x 8 cm approx. Photo courtesy of the artist
A bracelet for the Creator, 2024, detail, caribou hair, hide, sinew, dye, and beads, 250cm x 8 cm approx. Photo courtesy of the artist
The Four Directions - An olfactory journey, 2022, detail, mixed media, Scents of Movements Scents of Place, Art Gallery of Alberta, Edmonton,CA. Photo Charles Cousins
The Four Directions - An olfactory journey, 2022, detail, mixed media with sage, tobacco, sweetgrass, cedar scents, Scents of Movements Scents of Place, Art Gallery of Alberta, Edmonton, CA. Photo:Charles Cousins
The Four Directions - An olfactory journey, 2022, detail (nose reports), view at Scents of Movements Scents of Place, Art Gallery of Alberta, vintage rolodex, cedar smell, repurposed and reappropriated 1960 photograph of artist's grandpa's nose, 1of 4 rolodexes. Photo:Charles Cousins
The Four Directions - An olfactory journey, 2022, detail, Art Gallery of Alberta, 48 artist's custom perfumes for each direction, 30ml each. Photo:Charles Cousins
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How to Make a Pussy Hat, 2021, 9 of 24 digitial prints, 52 Artists 52 Actions, travelling, (commissioned), Artspace, Sydney, NSW. Image:Anke Stacker
How to Make a Pussy Hat, 2021, 18 of 24 digitial prints, 52 Artists 52 Actions (commissioned), Artspace, Sydney, NSW. Image: Anke Stacker
How to Make a Pussy Hat, 2021, 11 of 24 digitial prints, 52 Artists 52 Actions (commissioned), Artspace, Sydney, NSW. Image: Anke Stacker
How to Make a Pussy Hat, 2021, 19 of 24 digitial prints, 52 Artists 52 Actions (commissioned), Artspace, Sydney, NSW. Image: Anke Stacker
How to Make a Pussy Hat, 2021, 24 of 24 digitial prints, 52 Artists 52 Actions (commissioned), Artspace, Sydney, NSW. Image: Anke Stacker
Frequent Stopping III, 2019, in collaboration with Contemporary Art Gallery, Vancouver and Translink BC, public bus 18.9m x 2.6m x 3.05m, photo:Translink BC.
Frequent Stopping III, in collaboration with Contemporary Art Gallery, Vancouver and Translink BC, public bus 18.9m x 2.6m.3.05m, photo:Translink BC
Installation view of Frequent Stopping IV, 2019, Contemporary Art Gallery, Vancouver, off-site at Yaletown-Rondhouse Station. Photo:SITE Photography image subject to copyright
Frequent Stopping V, 2019, installation view on Contemporary Art Gallery, Vancouver. Photo: SITE Photography Image subject to copyright
Frequent Stopping V, 2019, detail on facade, Contemporary Art Gallery, Vancouver. Photo: SITE Photography image subject to Copyright.
Mediating the Treaties, 2017, Public Art Commission, City of Winnipeg, mixed media, dimensions variable. Photo courtesy of the artist.
Assimilate, 2016, mixed media on board, 2 panels, 70cmx100cm. Photo courtesty of the artist
Assimilate 2016-17, installation view, Illingworth Kerr Gallery, mixed media, dimensions variable. Photo:Elyse Bouvier. Image subject to copyright.
Assimilate, 2016-17, detail, Illingworth Kerr Gallery, mixed media, 70x100cm Photo:Elyse Bouvier. Image subject to copyright.
Slang: Curses, Drug Talk and Other Related Matters, 2017, detail, 1 of 3 quilts, recycled clothing and thread , 198x204cm. Photo:Ian Hobbs
Slang: Curses, Drug Talk and Other Related Matters, 2017, detail, 1 of 3 quilts, recycled clothing and thread , 198x204cm. Photo:Ian Hobbs. Image subject to copyright.
Slang: Curses, Drug Talk and Other Related Matters, 2017, detail, 2 of 3 quilts, recycled clothing and thread , 192x165 cm. Photo:Ian Hobbs. Image subject to copyright.