culture, First Nation, Indigenous, artist, abstraction, hard edge, optical art, contemporary painting, Anishinaabe, mythology, nemesis

Thunderbird vs Underwater Panther, 2023, acrylic on canvas, 163x244cm, photo courtesy of the artist

culture, First Nation, Indigenous, artist, abstraction, hard edge, optical art, contemporary painting, Anishinaabe, mythology, nemesis

Thunderbird vs Underwater Panther, period 1, 2023 acrylic on canvas, 163x244cm, photo courtesy of the artist

culture, First Nation, Indigenous, artist, abstraction, hard edge, optical art, contemporary painting, Anishinaabe, mythology, nemesis

Thunderbird vs Underwater Panther, period 1, 2023 acrylic on canvas, 163x244cm, photo courtesy of the artist

slang, neon, Indigenous art, contemporary art

slangsexdrugtalkandotherrelatedmatters, 2017-2021, detail, 22 neon words, transformers, cable, 3600x3600x3250mm approx. Photo. Damian Dillon

slang, neon, Indigenous art, contemporary art

slangsexdrugtalkandotherrelatedmatters, 2017-2021, detail, 22 neon words, transformers, cable, 3600x3600x3250mm approx. Photo Josh Woo Park

slang, neon, Indigenous art, contemporary art

slangsexdrugtalkandotherrelatedmatters, 2017-2021, detail, 22 neon words, transformers, cable, 3600x3600x3250mm approx. Photo. Josh Woo Park

slang, neon, Indigenous art, contemporary art

slangsexdrugtalkandotherrelatedmatters, 2017-2021, detail, 22 neon words, transformers, cable, 3600x3600x3250mm. Photo Josh Woo Park

mural, oaxaca, indigenous collaboration, canadian embassy, massivart

Ineustrol Sol Se Ha Ido, with Tlacolulokos Collective, 2021, Mural in Oaxaca, commissioned by the Canadian Embassy Mexico and Oaxaca, 13mx4m.Photo:Massivart

mexico, oaxaca, indigenous, mural, public art, street art, tlacolulokos, rolande souliere, artist

Detail, collaboration with Tlacolulokos, Mural in Oaxaca, commissioned by the Canadian Embassy Mexico and Oaxaca, 13m x 4m. Photo:Massivart

mural, street barriers, cocijo, thunderbird, anishinaabe, mexico, oaxaca, canada, indigenous artist

Mural, detail, in collaboration with Indigenous collective Tlacolulokos, 2021, Oaxaca, Mexico, commissioned by Canadian Embassy Mexico and Oaxaca, 13m x 4m. Photo:Massivart

aboriginal syllabics, wall works, painting, Forest City Gallery

Form and Content, Painting No 4, 2019, installation (backview ), Forest City Gallery, acrylic  paint on wall, 45m x 3m approximate. Photo: Lucas Stenning.aboriginal syllabics, wall works, painting, Forest City Gallery

Form and Content, Painting No. 4, 2019, installation, (frontview,) Forest City Gallery, acrylic paint on wall, 45m x 3m approximate. Photo Lucas Stenning

aboriginal syllabics, wall works, painting, Museum of Contemporary Native Art

Form and Content, No. 1, 2018, site specific wall painting, Museum of Contemporary Native Art, acrylic on wall, 13m x 3m approximate. Photo: Jason Ordaz

Form and Content, No. 3, 2018,detail,  site specific wall painting, Museum of Contemporary Native Art, acrylic on wall, 4 x 3m approximate. Photo: Jason Ordaz

aboriginal syllabics, wall works, painting, Museum of Contemporary Native Art

Form and Content, No. 2, 2018, detail, site specific wall painting , Museum of Contemporary Native Art, acrylic on wall, 3.5 x 3m approximate. Photo:Jason Ordaz

 

 

This project was assisted by a grant from Arts NSW, an agency of the New South Wales Government,
through a program administered by the National Association for the Visual Arts (NAVA).